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She was on assignment when filmmaker and actor spotted her at a bullfight. Jurado studied at a school run by nuns in the Guadalupe Inn neighborhood in Mexico City, and later studied to be a bilingual secretary. In 1951 she was discovered in Mexico by the filmmaker and began her Hollywood career in the film.

Retrieved 12 May 2018. Our courtship was one of the best periods of my life. In this paper we analyze the seed dispersal stage of the Prunus mahaleb—frugivorous bird interaction from fruit removal through seed delivery within the context of disperser effectiveness.



In 1951 she was discovered in Mexico by the filmmaker and began her Hollywood career in the film. She acted in Western films of the 1950s and 1960s, including 1952 , 1953 , 1954 , 1961 , and 1973. She was the first Latin American actress nominated for an , as Best Supporting Actress for her work in , and was the first to win a for her performance in High Noon. Childhood and film debut 1924—1943 Katy Jurado was born María Cristina Jurado García in , , on 16 January 1924. Her parents were Luis Jurado Ochoa and Vicenta Estela García de la Garza. Her brothers were Luis Raúl and Óscar Sergio. Her father was a lawyer, and her mother was a singer who worked for. Jurado's cousin was president of Mexico 1928—1930. Jurado studied at a school run by nuns in the Guadalupe Inn neighborhood in Mexico City, and later studied to be a bilingual secretary. As a teenager, she was invited by producers and filmmakers to work as an actress, among them Mexican filmmaker , who offered her a role in his first movie The Isle of Passion 1941. Although her godfather was Mexican actor , her parents never gave their consent. Another filmmaker interested in her was Mauricio de la Serna, who offered Jurado a role in the film No matarás 1943. She signed the contract without authorization from her parents, and when they found out, they threatened to send her to a boarding school in. Around this time she met the aspiring actor Victor Velázquez and married him shortly after. Velázquez and Jurado were married until 1946. In No matarás, Jurado played her first villain and. Jurado specialized in playing wicked and seductive women. I admit, my physique was different and very sensual. In 1943 she had her first success with her third film, La vida inútil de Pito Pérez. Success in Hollywood 1951—1968 In addition to acting, Jurado worked as a movie columnist, radio reporter and bullfight critic to support her family. She was on assignment when filmmaker and actor spotted her at a bullfight. Neither knew she was an actress. However, Boetticher, who was also a professional bullfighter, cast Jurado in his 1951 film , opposite , as the wife of an aging matador. She had rudimentary English language skills, and memorized and delivered her lines phonetically. Despite this handicap, her strong performance brought her to the attention of Hollywood producer , who cast her in the classic Western , starring and. Jurado learned to speak English for the role, studying and taking classes two hours a day for two months. She played saloon owner Helen Ramírez, former love of reluctant hero Cooper's Will Kane. She earned a for Best Supporting Actress and gained notice in the American movie industry. Jurado with in 1953 Despite her Hollywood success in the early 1950s, Jurado continued to act in Mexican productions. In 1953 she starred in 's box-office success , with , for which she received a Award The Mexican Academy Award as Best Supporting Actress. She also acted in English-language films produced in Mexico, such as El Corazón y La Espada 1953, opposite and Mujeres del Paraíso 1954, opposite. The same year she had a role in with and , playing an evil woman, the love-interest of Heston's character. In 1954, Mexican actress was chosen to play 's wife and the mother of 's character in the film , directed by. However, del Río was accused of being a communist during the. Jurado was then chosen for the role despite the resistance of the studio because of her youth. But after viewing footage of her scenes, studio executives were impressed. Her performance garnered an nomination a distinction shared by only two other Mexican actresses since then: as Best Actress in 2002 for , and as Best Supporting Actress in 2006 for. Katy Jurado with in 1954 In 1954, Jurado appeared with and Cesar Romero in the 's film , filmed in France, Italy and Spain. In 1955, Jurado filmed , directed by , with and. It was a drama about a Mexican boy accused of raping a white girl, with Jurado playing the mother of the accused. For this role she was again nominated for the Golden Globe Award for Best Supporting Actress. In the same year she traveled to for the filming of , directed by , with and. In 1956, Jurado debuted on , playing with. Eventually she participated in a series of westerns like , opposite the Mexican actor , and with. In 1959, she filmed , with and , and worked with in the film. In the film, Jurado played the role of 's wife, and mother of the young Mexican actress. In 1961, she starred in productions like with Ernest Borgnine, Anthony Quinn, , and the Italian actors and , and I braganti Italiani, directed by , again with Borgnine and Gassman. In 1961, Jurado returned to Mexico. She filmed Y dios la llamó Tierra 1961 and 1963 , with the Mexican cinema stars , and Emilio Fernández. In 1965, Jurado returned to Hollywood in the film Smoky, directed by , starring. In 1966, she played the mother of the character played by in. As her career in the U. In 1968, she moved back to Mexico permanently and established residence in the city of. Later years 1970—2002 In the next years Jurado alternated her work between Hollywood and Mexico. In 1970 she filmed the Hollywood film production The Bridge in the Jungle, opposite. In 1973 she appeared in , directed by , playing the role of the wife of the actor. Jurado received one of her best dramatic roles in the last episode of the Mexican film 1973. For this role she won her second Award of the Mexican Cinema. Jurado recognized this character as her best performance. In 1973 Jurado starred on Broadway again in the stage play , with Anthony Quinn and. In 1974 Jurado appeared in the American film 1974 , opposite the American comedian. In 1975 she participated in the social criticism film , again directed by Jorge Fons. The film was awarded with the of the. In 1976 appears in the role of Chuchupe in the film Pantaleón y Las Visitadoras 1976 adaptation of the novel of who also directed the film. In 1978 she played a small role in the film 1978 , opposite Anthony Quinn and Dolores del Rio. Jurado also reappeared on television frequently in the 1970s. In 1980 Jurado filmed La Seducción 1980 , directed by. In 1984, she acted in the film , directed by. In the same year she co-starred in the short-lived television series , a situation comedy series for , with. In the 1990s Jurado appeared in two Mexican. In 1992, she was honored with the for her notable contribution to the genre. In 1998, she completed a timely Spanish-language film for director called , about a millennium sect. She won the best supporting Actress Silver Ariel for this role. In 2002 she made her final film appearance in. The film was released posthumously. Jurado's first husband was the Mexican actor Victor Velázquez the stepfather of the popular Mexican actresses and. With Velázquez she had two children, Víctor Hugo d. Early in her career in Hollywood, Jurado had affairs with the filmmaker , and actor. They met when Brando was filming in Mexico. He was involved at the time with , and was having a parallel relationship with. I knew all about Movita. I knew he had a thing for Rita Moreno. Hell, it was just a date. I didn't plan to marry him. I say that Marlon and I have been true friends of the soul, we speak soul to soul. He chased me for two years. What did I do for that this man loves me this way? Our courtship was one of the best periods of my life. We were married soon after, but his jealousy and insecurities turned the marriage into hell. Jurado had a romantic relationship with the western novelist. Her son Victor Hugo died tragically in an accident on a highway near in 1981, plunging her into a deep depression that she could never overcome, and that led her to abandon her acting career for a few years. While this happened, Jurado was filming a movie in Mexico. He took with him half of my life. I could not mourn him as I wanted. I went to the funeral and I had to return to film the movie. Every day when I saw the camera I hated her. I dedicated to the films a wonderful time I should have given to my children, but it was too late. I was very sad about the death of my son. I know very well that he offered me the film to give me strength and comfort. Jurado claimed to have been one of the first people to find the body of Mexican actress after her tragic suicide. According to Jurado, the picture that Miroslava had between her hands was of , but artistic manager Fanny Schatz exchanged the photo for one of the Spanish bullfighter. In 1998, the Mexican composer dedicated a song to Jurado called Que re'chula es Katy What a beauty is Katy. Star of Katy Jurado in the Towards the end of her life, Jurado suffered from heart and lung ailments. She died of and on 5 July 2002, at the age of 78, at her home in , Mexico. She was buried in Cuernavaca at the Panteón de la Paz cemetery. Jurado has a star on the at 7065 for her contributions to motion pictures. She was honored with a Google Doodle on January 16, 2018. Retrieved 12 May 2018. Retrieved 12 May 2018. Retrieved 12 May 2018. Latinas in the United States, p. El cine de Katy Juardo The films of Katy Jurado. México: Universidad de Guadalajara Centro de Investigaciones y Enseñanza Cinematográficas , Patronato de la Muestra de Cine Mexicano en Guadalajara, A. El cine de Katy Jurado The films of Katy Jurado. México: Universidad de Guadalajara Centro de Investigaciones y Enseñanza Cinematográficas , Patronato de la Muestra de Cine Mexicano en Guadalajara, A. El cine de Katy Jurado The films of Katy Jurado. Universidad de Guadalajara Centro de Investigaciones y Enseñanza Cinematográficas , Patronato de la Muestra de Cine Mexicano en Guadalajara, A. El cine de Katy Jurado The films of Katy Jurado. México: Universidad de Guadalajara Centro de Investigaciones y Enseñanza Cinematográficas , Patronato de la Muestra de Cine Mexicano en Guadalajara, A. El cine de Katy Jurado The films of Katy Jurado. México: Universidad de Guadalajara Centro de Investigaciones y Enseñanza Cinematográficas , Patronato de la Muestra de Cine Mexicano en Guadalajara, A. El cine de Katy Jurado The films of Katy Jurado. México: Universidad de Guadalajara Centro de Investigaciones y Enseñanza Cinematográficas , Patronato de la Muestra de Cine Mexicano en Guadalajara, A. Retrieved 12 May 2018. Retrieved Jan 16, 2018. Hispanics in Hollywood: An Encyclopedia of Film and Television. El cine de Katy Jurado The films of Katy Jurado. Universidad de Guadalajara CIEC , Patronato de la Muestra de Cine Mexicano en Guadalajara, A. Heroes, Lovers, and Others: The Story of Latinos in Hollywood. Brando Unzipped: A revisionist and very private look at America's greatest actor. Latinas in the United States: A Historical Encyclopedia. University of Texas Press. Hollywood: Se Habla Español. From Bananas to Buttocks: The Latina Body in Popular Film and Culture. University of Texas Press. Hollywood Famous Cowboys and Cowgirls: Katy Jurado, Academy Award Nominee and Golden Globe Winner.

Olesen, Biodiversity, Species Interactions and Civil Networks in a Fragmented World, Global Change in Multispecies Systems Part 110. I was very sad about the death of my son. In 1992, she was honored with the for her notable contribution to the genre. Latinas in the United States, p. I didn't file to marry him. In 1998, the Mexican composer dedicated a song to Jurado called Que re'chula es Katy What a beauty is Katy. I knew he had a thing for Rita Moreno. She earned a for Best Supporting Actress and gained notice in the American movie limbo. Another filmmaker interested in her was Mauricio de la Serna, who offered Jurado a role in the film No matarás 1943.